Visionnage domestique toulousain en famille (111)

 Le grand blond avec une chaussure noire. Yves Robert (1972)

Ambivalence

«Il ne se sentait plus trouble en son tréfonds, mais d'un noir brillant et dur. Il n'espérait plus en ces bondissements joyeux de la vie dont on s'exalte quand on est jeune. Il n'avait pourtant que vingt-six ans. Il se sentait sévère, désabusé et fatigué comme un vieux juge. Les femmes n'éveillaient plus en lui qu'un sentiment pâle et sans fièvre. Toutes celles qu'il avait convoitées, il les laissant maintenant s'évader de son esprit sans plus s'émouvoir de leur nudité imaginée, ou des parures obscènes dont il les avait attifées au fil de ses rêves. La chasteté qu'il avait tant redoutée, lui paraissait désormais facile et morne. Il n'en attendait aucune indulgence, aucun surcroît d'âme, mais il était décidé à l'assumer pour ne pas faillir à sa promesse, et parce qu'il était le chemin tracé.»

Bélibaste. Henri Gougaud. Points Seuil (1996)

«En réalité, une oeuvre est irréductible. Une oeuvre est, justement ce qu'il en reste après ou malgré la sociologie, la psychanalyse, l'économie, le système idéologie-politique, la philosophie, etc..»

Journal en miettes. Eugène Ionesco. Mercure de France (1967)

Retour prodigue du Foyer de Notre dame de Garaison (10)

Hannah honey was a peachy kind of girl

Her eyes were hazel

And her nose was slightly curved

We spent a lonely night at the Memory Motel

It's on the ocean, I guess you know it well

It took a starry night to steal my breath away

Down on the waterfront

Her hair all drenched in spray

Hannah baby was a honey of a girl

Her eyes were hazel

And her teeth were slightly curved

She took my guitar and she began to play

She sang a song to me

Stuck right in my brain

You're just a memory of a love

That used to be

You're just a memory of a love

That used to mean so much to me

She got a mind of her own

And she use it well, yeah

Well she's one of a kind

Got a mind

She got a mind of her own, yeah

And she use it mighty fine

She drove a pick-up truck

Painted green and blue

The tires were wearing thin

She done a mile or two

When I asked her where she headed for

"Back up to Boston I'm singing in a bar"

I got to fly today on down to Baton Rouge

My nerves are shot already

The road ain't all that smooth

Across in Texas is the rose of San Antone

I keep on a feeling that gnawing in my bones

You're just a memory of a love

That used to mean so much to me

You're just a memory girl

You're just a sweet memory

And it used to mean so much to me

Sha la la la la

You're just a memory of a love

That used to mean so much to me

She got a mind of her own

And she use it well, yeah

Mighty fine

'Cause she's one of a kind

She got a mind of her own

She's one of a kind

And she use it well

On the seventh day my eyes were all a glaze

We've been ten thousand miles

Been in fifteen states

Every woman seemed to fade out of my mind

I hit the bottle I hit the sack and cried

What's all this laughter on the 22nd floor

It's just some friends of mine

And they're busting down the door

Been a lonely night at the Memory Motel

You're just a memory girl, just a memory

And it used to mean so much to me

You're just a memory girl, you're just a memory

And it used to mean so much to me

You're just a memory girl, you're just a sweet old memory

And it used to mean so much to me

You're just a memory of a love that used to mean so much to me

She's got a mind of her own and she use it well yeah

Well she's one of a kind

Memory Motel. Rolling Stones (1976)

Rediffusion de la Petite Boutique Fantasque : L'officier sans nom

Mercredi 10 août 2022 à 19H, nous allons retrouver une émission précédemment diffusée, issue du Projet poubelle bis, avec la lecture d'extraits de L'officier malgré lui de Guy des Cars. Cet auteur était peu estimé dans les années 1970 et considéré comme un auteur de romans de gare. Cette lecture ne va pas infirmer ces préjugés !

Cette émission est diffusée en hertzien, Toulouse : 106.8 Mhz ou en streaming https://www.radioradiotoulouse.net/ et pour tout le reste du temps sur les podcasts de mixcloud.

Programmation musicale :

1) Oriental song (Gurdgieff / de Hartman)

2) The band played Mathilda (The Pogues)

3) Silenzio d'amuri (Stefano Accorsi / Arpegiatta)

4) Dite (Uz Jsme Doma)

+ lecture d'extraits de L'officier sans nom (Guy des Cars) par Juliette

Pour ceux qui auraient piscine indienne, ou toute autre obligation, il y a une possibilité de rattrapage avec les podcasts de la PBF : https://www.mixcloud.com/RadioRadioToulouse/lofficier-sans-nom-la-petite-boutique-fantasque/

Allons-y gaiement et sans mollir et sus aux Béotiens !

Photographie de Jean-Philippe Charbonnier

Retour prodigue du Foyer de Notre dame de Garaison (9)

I remember you well in the Chelsea Hotel 

You were talking so brave and so sweet 

Givin' me head on the unmade bed 

While the limousines wait in the street 

Those were the reasons, that was New York 

We were runnin' for the money and the flesh 

And that was called love for the workers in song 

Probably still is for those of them left 

Yeah, but you got away, didn't you babe? 

You just turned your back on the crowd 

When you got away, I never once heard you say 

I need you 

I don't need you 

I need you 

I don't need you 

And all of that jivin' around 

I remember you well in the Chelsea Hotel 

You were famous, your heart was a legend 

You told me again, you preferred handsome men 

But for me you would make an exception 

And clenching your fist for the ones like us 

Who are oppressed by the figures of beauty 

You fixed yourself, you said "Well nevermind 

We are ugly but we have the music" 

And then you got away didn't you babe? 

You just turned your back on the crowd 

When you got away I never once heard you say 

I need you 

I don't need you 

I need you 

I don't need you 

And all of that jivin' around 

I don't mean to suggest 

That I loved you the best 

I can't keep track of each fallen robin 

I remember you well in the Chelsea Hotel 

That's all, I don't think of you that often

Chelsea Hotel #2. Léonard Cohen

Quelques Éléments supplémentaires de la Société du Spectacle (50)

«La Jeune-Fille est une réalité aussi massive et friable que le Spectacle. 

Comme toutes les formes transitoires, la Jeune-Fille est un oxymores. Elle est ainsi le premier cas d'acétisme sans idéal, de pénitence matérialiste.»

Premiers matériaux pour la théorie de la jeune-Fille. Tiqqun. Mille et une nuit. (2001)